In addition to guitar based blues, jug bands, such as Gus Cannon's Jug Stompers and the Memphis Jug Band, were extremely popular practioners of Memphis blues. The jug band style empasized the danceable, syncopated rhythms of early jazz and a range of other archaic folk styles. It was played on simple, sometimes homemade, instruments such as harmonicas, violins, mandolins, banjos, and guitars, backed by washboards, kazoo, jews harp and jugs blown to supply the bass.
After World War II, electric instuments became popular among Memphis blues musicians. As African-Americans left the Mississippi Delta and other impoverished areas of the south for urban areas, many musicians gravitated to Memphis' blues scene, changing the classic Memphis blues sound. Musicians such as Howlin' Wolf, Willie Nix, Ike Turner, and B.B.King performed on Beale Street and in West Memphis, and recorded some of the classic electric blues, rhythm and blues and rock & roll records for labels such as Sun Records. These musicians had a strong influence on later musicians in these styles, notably the early rock & rollers and rockabillies, many of whom also recorded for Sun Records.
"Memphis Blues" is also the title of a song published by W.C. Handy in 1912. It is not the first blues published, but was an important early blues-influenced hit. Handy based it on his earlier political campaign song, "Mr. Crump Don't Like It."
Memphis blues musicians
Frank Stokes
Furry Lewis
Memphis Minnie
Willie Nix
Sleepy John Estes
Ida Cox
Dr. David Evans
Joe Willie Wilkins
Raymond Hill
Walter "Mose" Vinson
B.B. King
Junior Parker
Howlin' Wolf
Ike Turner
James Cotton
Rosco Gordon
Big Mama Thornton