Fifes were carved from cane that grew locally. Drums were often hand-made, and equally often just percussive objects. The vocals seem to derive from two main styles:
- Traditional call and response of Black Spirituals
- Short repetative lyric
The genre originates in very rural areas of the farming South and today persists in a stretch of sparely populated Southern states stretching from northwest Georgia to an area south of Memphis. Notable performers are Napoleon Strickland, Dan Emmett, and Otha Turner.
Related texts
- David Evans, "Black Fife and Drum Music in Mississippi"
- Howard W. Odum, "Religious Folk-Songs of the Southern Negro"
- Eileen Southern "The Music of Black Americans: A History"
- http://www.folkstreams.net/context,86