Music Sound

Ethnomusicology (from the Greek ethnos = nation and mousike = music), formerly comparative musicology, is the study of music in its cultural context, cultural musicology. It can be considered the anthropology or ethnography of music. Jeff Todd Titon has called it the study of "people making music". It is often thought of as a study of non-Western musics, but can include the study of Western music from an anthropological perspective. "Ethnomusicology as western culture knows it is actually a western phenomenon." (Nettl 1983:25)

While musicology contends to be purely about music itself (almost always Western classical music), ethnomusicologists are often interested in putting the music they study into a wider cultural context. Ethnomusicology as it emerged in the late 19th century and early 20th century, practiced by people such as Béla Bartók, Zoltán Kodály, Vinko Zganec, Franjo Ksaver, Carl Stumpf, Erich von Hornbostel, Curt Sachs and Alexander J. Ellis, tended to focus on non-European music of an oral tradition, but in more recent years the field has expanded to embrace all musical styles from all parts of the world.

Ethnomusicologists apply theories and methods from cultural anthropology as well as other disciplines in the social sciences and humanities. Many ethnomusicological works are created not necessarily by 'ethnomusicologists' proper, but instead by anthropologists examining music as an aspect of a culture. A well-known example of such work is Colin Turnbull's study of the Mbuti pygmies. Another example is Jaime de Angulo, a linguist who ended up learning much about the music of the Indians of Northern California (see [1]). Yet another is Anthony Seeger, professor at the University of California, Los Angeles, who studied the music and society of the Suya people in Mato Grosso, Brazil (see [2]).

Four important centers for ethnomusicological study are the Universities of California at Los Angeles and Santa Barbara, Indiana University, the Institute of Ethnology and Folklore Research at University of Zagreb, Croatia, and the School of Oriental and African Studies, at University of London. With regard to African music, Paul Berliner, Andrew Tracey, and Hugh Tracey are well known, the latter being the founder of the International Library of African Music.

Source

• Nettl, Bruno (1983). The Study of Ethnomusicology. Urbana, Chicago, and London: University of Illinois Press.

External links

• Society for Ethnomusicology
• Institute of Ethnology and Folklore Research
• University of California, Los Angeles
• Irish World Academy of Music and Dance
• Ethnomusicological study of African Pygmies
• ILAM International Library of African Music
• Links: Ethnomusicology, Folk Music, and World Music (University of Washington)
• Aesthetic Realism: A New Foundation for Interdisciplinary Musicology
• Hungarian Academy of Sciences: Institute of Musicology
• The School of Oriental and African Studies (University of London)