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  Electro

Music Sound

Electro

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Electro
Stylistic origins: Synth pop, disco, funk and Old school hip hop
Cultural origins: early 1980s Detroit, Bronx
Typical instruments: Synthesizer, Drum machine, Vocoder, Sampler
Mainstream popularity: Mid- to late 1980s with a revival in the late 1990s.
Derivative forms: Electroclash
Subgenres
Detroit techno - Freestyle music - Miami bass
Fusion genres
Ghettotech

Electro, short for electro funk (also known as robot hip hop) is an electronic style of hip hop directly influenced by Kraftwerk and funk records (unlike earlier rap records which were closer to disco). Records in the genre typically have all-electronic sounds and vocals are delivered in a deadpan, mechanical manner often through a vocoder or other electronic distorsion.

Contents

Characteristics

With few exceptions, the definition of the electro sound is the use of drum machines as the base of a track. A legendary drum machine with a recognizable sound still used today is the Roland TR-808. The instrumentation is generally all-electronic with a funk-style synthesizer bass line. Heavy use of effects such as reverb and echo together with electronic pads create a rich and simultaneously cold sound that emphasizes the common science fiction theme of the lyrics. Not all electro features rapping; vocals processed through a Vocoder is a common element and instrumental tracks are more prominent than in related genres of electronic and hip hop music. In recent years it has become common for electro artists to perform using only laptop computers, this way emphasizing the technological theme of the music.

Concept albums are common in electro with Kraftwerk pioneering entire albums in technological or futuristic themes such as robots, computers or nuclear science. Many artists are entirely devoted to sci-fi subjects of this kind.

History

Bronx, NY based artist Afrika Bambaataa's Planet Rock (1982) is one of the first electro records, using elements of Kraftwerk's Trans-Europe Express and Numbers. Bambaataa and artists like Juan Atkins' group Cybotron, Planet Patrol, Jonzun Crew, and Newcleus went on to influence the genres of detroit techno, ghettotech, drum and bass and electroclash.

Los Angeles artists Egyptian Lover and Arabian Prince gave birth to electro hop, a less funky, more bass-heavy West Coast sound, similar to 2 Live Crew and the Miami Bass scene. Detroit also has a unique style sometimes called "techno bass" which is a fusion of Detroit Techno and Ghetto house with the vocal element of Miami Bass. On the East Coast and especially in Miami, electro spawned freestyle, a soulful, Latin-centric variant.

Although the early 1980s were electro's heyday in the mainstream it enjoyed a popularity increase in the late 1990s with artists such as DMX Krew, Mr Velcro Fastener and Fannypack. Some current making artists making music in this style have embraced the pseudonyms of Detroit techno pioneers. The renewed interest in electro, though influenced to a great degree by Detroit and New York music, is primarily taking hold elsewhere with a variety of cities featuring electro club nights.

Artists

4ORCE
aDt [1]
ADULT.
Afrika Bambaataa
Anthony Rother
Arpanet
Aux88
Bass Junkie
Bass Kittens
BSOD
Chromeo
Computor Rockers
Cyberian Knights
Cybrid
Cybotron
Dark Vektor
Dmx Krew
Dopplereffekt
Drexciya
Dynamix II
Ectomorph
Egyptian Lover
Electron Industries
Elektroids
Exzakt
Fannypack
Fevertech
Hashim
Imatran Voima
Industrial Bass Machine
i-f
Jackal & Hyde
Jad Spyder Soundwave
Japanese Telecom
Jon Baz
Jonzun Crew
Knightz of Bass
Kompleksi
Le Syndicate Electronique
Little Computer People
Limbertimbre
Mandroid
Man Parrish
Maxx Klaxon
Michael Jonzun
Mr Velcro Fastener
Morphogenetic
Music Instructor
Novamen
Nukubus
Pal Secam Kidz
Pametex
Phatso Brown
Planet Patrol
Polytron
Resident Alien
Sbles3plex
Scape One
Silicon Scally
SovietElectro [2]
Syncom Data
Track 72
Volsoc
Xerodefx

See also

Links

Hip hop/Rap
DJing (Turntablism) - History (Roots - Timeline)
Genres
African - American (East - West - South)
Abstract - Alternative - Chopped & Screwed - Christian - Country-rap - Crunk - Electro - Electro hop - Freestyle music - Gangsta - G-funk - Ghettotech - Golden age - Hardcore - Hip hop soul - Hip house - Horrorcore - Hyphy - Instrumental - Jazz rap - Latin rap - Miami bass - Mobb - Neo soul - Nerdcore - New jack swing - Old school - Pop rap - Rapcore - Ragga - Reggaeton - Snap music - Urban Pasifika
Electronic music | Genres
Ambient | Breakbeat | Drum and bass | Electronica | Electronic art music | Hard dance | Hardcore | House | Techno | Trance | Industrial | Synthpop

Home | Up | Christian hip hop | Rapcore | Trip hop | Abstract hip hop | Acid rap | Alternative hip hop | AltNuMet | Baltimore Club | Bamabounce | Brazilian funk | Chicano rap | Chopped and screwed | Conscious hip hop | Country-rap | Crunk | Cumbia rap | Dirty South | Electro | G-funk | Gangsta rap | Ghetto house | Ghettotech | Grime | Hardcore hip hop | Hip hop soul | Hip house | Hip life | Horrorcore | Hyphy | Instrumental hip hop | Jazz rap | Kwaito | Latin rap | Low Bap | Mafioso rap | Memphis rap | Merenrap | Miami bass | Mobb Music | Neo soul | Nerdcore hip hop | New jack swing | Nu metal | Old school hip hop | Political hip hop | Pop-rap | Snap music | Songo-salsa | Trip hop | Turntablism | Urban Pasifika

Music Sound, v. 2.0, by MultiMedia

This guide is licensed under the GNU Free Documentation License. It uses material from the Wikipedia.

 
 


 
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